The 700 Series Colour Range

700

In-between 170 Deep Lavender and 345 Fuchsia Pink, and is good for backlighting and romantic atmospheres.

701

The colour of the Lavender fields of the south of France. A redder version of 180 Dark Lavender for use on cameras balanced to tungsten sources.

702

A cold lavender when used with a full tungsten source, but warms as the source is dimmed. Good as a fill for slow sunset fades.

703

A colour that would be great for front / key lighting and that works well with 152 Pale Gold.

704

A cool lavender with little red content. Good for romantic evening exteriors.

705

Smoothes PAR or flood washes of large areas. Useful for houselights and a good colour wash for evening events.

706

A cold lavender.

707

Used in musical performances for general colour washes and set lighting.

708

For use as a warmer tint without turning yellow and to recreate the colour of fluorescent lighting.

709

Provides good colour rendering which creates a sharp edge, adding a touch of drama.

710

A cool industrial blue.

711

To give a cold/grey HMI effect from a tungsten source. Will also help blend the light when using both tungsten and HMI sources.

712

A smoky warm blue. Good for skin tones.

713

A very dark blue with a high UV content. Good when used in high concentrations for a moody and powerful stage colour wash.

714

A new deeper version of 197 Alice Blue.

715

A deep blue that still has enough transmission to work encouragingly well on television.

716

A romantic blue to produce a night effect.

717

201 Full CT Blue with frost to soften the beam of profile units.

718

202 Half CT Blue with frost to soften the beam of profile units.

719

To allow low intensity tungsten to hold a cold/blue feel.

720

Smoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.

721

Used in musical performances for rear colour wash or set lighting.

722

A purer blue with very little red in it.

723

This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel.

724

Useful at low levels of light. Good for dull skies and moonlight.

725

Cool wash, useful for highlights.

727

a special version of 729 Scuba Blue which is good for backlighting and swimming pool effects.

728

Approaching storms. Overcast days. Cold steely light. Malevolent moonlight.

729

Used in musical performances for a rear colour wash or set lighting.

730

A good green for creating mystery and suspense.

731

Dirtier than 730 Liberty Green, more orange, sympathetic with skin tones.

733

A dirty green, reduces warmth. Good for cross lighting.

735

A beautiful background colour. Victorian melodrama. A night time green.

736

A powerful green with depth, for music or light entertainment.

740

Primary jungle colour. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.

741

Spooky when used in haze. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.

742

Dirtier than 156 Chocolate, good for skin tones. Dims well and doesn't go pink at low light levels.

744

Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a dingy effect like a smoky bar.

746

To give a murky, dirty feel to tungsten. A darker, less pink chocolate.

747

Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin tones.

748

A smoky pink. Good for tungsten on skin tones.

749

Combines flesh tone warmer 154 Pale Rose with some Hampshire Frost.

750

A frost that almost completely softens shutter edges and removes hot spots.

763

Adds warmth, sunlight.

764

Adds warmth, bright sunlight.

765

Useful for producing a strong sunlight effect.

767

A rich blend of bright sunshine and warm ochre overtones.

768

A bold strong chemical yellow, less orange/red than 179 Chrome Orange.

770

A colour that feels warm and dense on camera, a balance between 179 Chrome Orange and 105 Orange.

773

Warm tint for skin tones.

774

Used for producing a warm key light colour. Flame retardant.

775

Used for producing a warm key light colour. Flame retardant.

776

Romantic sunset. Period pieces.

777

A vivid rust colour effect.

778

Useful for lighting architecture: it produces a rich amber when used on a tungsten source, or a much cooler effect when used on a HMI lamp.

779

Deep sunset. Useful on dark skin tones.

780

Between 778 Millennium Gold and 135 Deep Golden Amber, but less red. A strong colour good for backlighting.

781

A strong amber red that works well when used against deep reds and dark ambers, in wash combinations and on cycloramas.

787

Nice deep full red. Rose leaf colour.

789

For a deep saturated red effect. Used when a strong vivid red effect is required.

790

A rich natural pink, good for producing late afternoon sun effects.

791

Smoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes.

793

A rich glamorous pink, good for use on special occasions.

794

Creates warm and soft effects.

795

Rich mixture of red and pinks.

797

Used in musical performances for general colour washes and set lighting.

798

A new deeper lavender with a dash of rose blusher.

799

A deep lavender that brings out the UV.