Lighting Packs

Everything you need to control common lighting conditions. Contains a select assortment of 250mm x 300mm (10"x12") pre-cut sheets.

Colour Magic Packs

Each pack relates to a specific aspect of lighting and studio work and offers a cost effective opportunity to sample a range of 250mm x 300mm (10"x12") filters.

Music Packs

Created with small nightclubs in mind these 250mm x 250mm (10"x10") filters enable you to enhance the mood of your music and animate the stage.

Pre-cut Filter Packs

These packs provide lighting designers with handy selections of filters for common tasks.

Filter colours: Narrow your choice by selecting a broad colour match

  • Colour Effects Pack

    A selection of saturated effect colours for use on backgrounds and for accent lights. In addition to general effects the three primary colors (red, green and blue) can be used for colour mixing.

    2 x sheets of each colour.

  • 181Congo BlueLooks like black light when used with a fluorescent source. Great effect colour. Very saturated.
  • 119Dark BlueGood for mood effects created by backlighting and side lighting. Creates great contrast.
  • 139Primary GreenGood for set lighting and cyclorama lighting.
  • 010Medium YellowA pure bright yellow. Great for special effects and accents. Use with caution in acting areas.
  • 106Primary RedStrong red effect. Good with cyclorama lighting.
  • 790Moroccan PinkA rich natural pink, good for producing late afternoon sun effects.
  • Cosmetic Pack

    A selection of our ever-popular range of cosmetic filters to enhance skin tones while simultaneously softening the light. While primarily designed for portraiture these filters can also be used to add a slightly diffused tint colour to backgrounds and accent lights. Also contains Soft Amber Key 2 and Moroccan Frost, two of our newest additions, which are formulated to provide a more saturated key light.

    2 x sheets of each colour.

  • 184Cosmetic PeachA warm highlight or front light; complimentary for most skin tones.
  • 186Cosmetic Silver RoseA warm highlight, leaning towards pink. Brings out pink pigment in skin tones
  • 187Cosmetic RougeA warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to look pink.
  • 188Cosmetic HighlightA warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters' favourite colour!
  • 775Soft Amber Key 2Used for producing a warm key light colour. Flame retardant.
  • 791Moroccan FrostSmoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes.
  • LED to Tungsten

    A common complaint from people using LED lighting is that the white light is very blue, making it look cold in comparison to a Tungsten light. These filters will convert white LED sources (colour temperatures ranging from 5000-7000K) to the equivalent of a 3200K Tungsten source. This means that different types of luminaires can now be blended together without the viewer of digital camera seeing a difference.

    2 x sheets of each colour.

  • 622One and One Eighth Digital LED C.T.O.Converts white LED of 7000K to Tungsten of 3200K.
  • 624Full Digital LED C.T.O.Converts white LED of 6200K to Tungsten of 3200K.
  • 626Seven Eighths Digital LED C.T.O.Converts white LED of 5550K to Tungsten of 3200K
  • 628Three Quarter Digital LED C.T.O.Converts white LED of 5000K to Tungsten of 3200K
  • 216White DiffusionA strong diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 250Half White DiffusionA medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • Tungsten to Daylight

    A selection of colour temperature blue (CTB) filters used to convert tungsten lights to daylight or electronic flash. Varying densities of blue will allow for partial corrections as well as effects such as moonlight, or general cooling. Also includes the new Durham Daylight Frost a combination of diffusion and CTB to be used when cooling and softening are required at the same time.

    2 x sheets of each colour.

  • 202Half C.T. BlueConverts tungsten (3200K) to daylight (4300K).
  • 203Quarter C.T. BlueConverts tungsten (3200K) to daylight (3600K).
  • 200Double C.T. BlueConverts tungsten (3200K) to daylight (26000K) .
  • 201Full C.T. BlueConverts tungsten (3200K) to photographic daylight (5700K).
  • 218Eighth C.T. BlueConverts tungsten (3200K) to daylight (3400K).
  • 720Durham Daylight FrostSmoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.
  • Daylight to Tungsten

    A selection of colour temperature orange (CTO) filters used to convert electronic flash or daylight to match tungsten lighting. Varying densities of orange will allow for partial corrections as well as effects such as sunlight or general warming. Also includes LEE 208, a combination of CTO & 0.6ND (85ND6) to be used when warming and an additional reduction in light are required at the same time.

    2 x sheets of each colour.

  • 208Full C.T. Orange + .6NDConverts daylight (6500K) to tungsten (3200K) and reduces light 2 stops.
  • 206Quarter C.T. OrangeConverts daylight (6500K) to tungsten light (4600K).
  • 205Half C.T. OrangeConverts daylight (6500K) to tungsten light (3800K).
  • 285Three Quarter C.T. OrangeConverts daylight (6500K) to tungsten light (3600K).
  • 204Full C.T. OrangeConverts daylight (6500K) to tungsten light (3200K).
  • 223Eighth C.T. OrangeConverts daylight (6500K) to tungsten light (5550K).
  • Diffusion Pack

    A selection of our most popular diffusion materials used to create a wide variety of effects ranging from a subtle softening of the beam edge to creating a large shadowless area.

    2 x sheets of each filter.

  • 216White DiffusionA strong diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 250Half White DiffusionA medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 251Quarter White DiffusionA weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 253Hampshire FrostA light frost effect.
  • 400LEELuxA dense white diffuser used for wide beam spreads; creates an even, soft, field of light without shadows. Manufactured on a 125 micron polyester base.
  • 410Opal FrostA weak diffusion used for softening spotlight beam edges without altering shape. Manufactured on a 23 micron polyester base.
  • Master Location Pack

    Contains practically everything you need to handle any lighting situation. CTO to convert daylight to tungsten, CTB to convert tungsten to daylight, greens to match fluorescent tubes and a wide variety of effects filters to add colour to backgrounds and accent lights. Plus our most popular diffusions, scrim and black foil.

    2 x sheets of 200, 201, 202, 203, 204, 205, 206, 216, 250, 251, 210
    and 1 x sheet of the rest.

  • 181Congo BlueLooks like black light when used with a fluorescent source. Great effect colour. Very saturated.
  • 126MauveGood for backlighting. Dark magenta / purple adds drama and mood.
  • 202Half C.T. BlueConverts tungsten (3200K) to daylight (4300K).
  • 203Quarter C.T. BlueConverts tungsten (3200K) to daylight (3600K).
  • 200Double C.T. BlueConverts tungsten (3200K) to daylight (26000K) .
  • 201Full C.T. BlueConverts tungsten (3200K) to photographic daylight (5700K).
  • 219LEE Fluorescent GreenGeneral tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.
  • 245Half Plus GreenUsed on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 green camera filter.
  • 244LEE Plus GreenUsed on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC30 green camera filter.
  • 738JAS GreenA rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration.
  • 206Quarter C.T. OrangeConverts daylight (6500K) to tungsten light (4600K).
  • 205Half C.T. OrangeConverts daylight (6500K) to tungsten light (3800K).
  • 204Full C.T. OrangeConverts daylight (6500K) to tungsten light (3200K).
  • 106Primary RedStrong red effect. Good with cyclorama lighting.
  • 216White DiffusionA strong diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 250Half White DiffusionA medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 251Quarter White DiffusionA weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 187Cosmetic RougeA warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to look pink.
  • 188Cosmetic HighlightA warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters' favourite colour!
  • 2100.6NDReduces light 2 stops, without changing colour.
  • 270LEE ScrimA perforated reflector producing a very soft reflection. Silver on one side and black on reverse.
  • 280Black FoilUsed to reduce unwanted light spill or to control unwanted light reflection.
  • 720Durham Daylight FrostSmoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.
  • 775Soft Amber Key 2Used for producing a warm key light colour. Flame retardant.
  • 791Moroccan FrostSmoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes.
  • Quick Location Pack

    Contains a selection of our most popular and functional filters. CTO to convert daylight to tungsten, CTB to convert tungsten to daylight, effect filters to add colour to backgrounds and accent lights, and a selection of diffusions, scrim and black foil to add texture and shape to the light source.

    2 x sheets of 201, 202, 204, 205, 216, 250, 210
    and 1 x sheet of the rest.

  • 181Congo BlueLooks like black light when used with a fluorescent source. Great effect colour. Very saturated.
  • 202Half C.T. BlueConverts tungsten (3200K) to daylight (4300K).
  • 201Full C.T. BlueConverts tungsten (3200K) to photographic daylight (5700K).
  • 738JAS GreenA rich yellowish green. Useful as a concert stage wash where darker skin tone, costume and set are a consideration.
  • 205Half C.T. OrangeConverts daylight (6500K) to tungsten light (3800K).
  • 204Full C.T. OrangeConverts daylight (6500K) to tungsten light (3200K).
  • 106Primary RedStrong red effect. Good with cyclorama lighting.
  • 216White DiffusionA strong diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 250Half White DiffusionA medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • 187Cosmetic RougeA warm highlight leaning toward apricot, good for warm front light, complimentary to most skin tones, beware of use on pale skin: tends to look pink.
  • 188Cosmetic HighlightA warm highlight leaning toward amber, good for warm front light, complimentary to most skin tones. Barbara Walters' favourite colour!
  • 2100.6NDReduces light 2 stops, without changing colour.
  • 270LEE ScrimA perforated reflector producing a very soft reflection. Silver on one side and black on reverse.
  • 280Black FoilUsed to reduce unwanted light spill or to control unwanted light reflection.
  • 720Durham Daylight FrostSmoothes PAR or flood washes of large areas. Useful for houselight and good for entrances from natural light.
  • 775Soft Amber Key 2Used for producing a warm key light colour. Flame retardant.
  • 791Moroccan FrostSmoothes PAR or flood washes of large areas. Useful for houselights and good for interior colour washes.
  • Tint Pack

    Lighting Filters which complement the Original Colour Magic pack to create alternative shades.

    1 x sheet of each colour.

  • 344VioletA good dusk and romantic effect. Also good for skin tones.
  • 048Rose PurpleGood for emulating evening. Great backlight.
  • 174Dark Steel BlueGreat for set lighting. Creates good moonlight shadows.
  • 131Marine BlueGood for romantic moonlight. Often used in ballet and underwater scenes.
  • 088Lime GreenUse with gobos for leafy glades. Good for pantomimes, giving a slightly sinister atmosphere.
  • 100Spring YellowA sunlight wash - use with gobos, disco and dark skin tones.
  • 108English RoseWarm tint wash. Dark flesh tones and softer skin tones.
  • 164Flame RedGreat for fire effects.
  • 157PinkGreat for dance sequences (useful for softening white costumes without affecting skin tones).
  • 002Rose PinkStrong pink wash, good for cycloramas.
  • 228Brushed SilkDirectional soft lighting effect used for scattering light in one direction only.
  • 250Half White DiffusionA medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
  • Light Tint Pack

    Paler shades to give more subtle effects and to filter white light from the lamp.

    1 x sheet of each colour.

  • 169Lilac TintA pale lavender. Good for almost white light with a cool tint.
  • 063Pale BlueCool front light wash, good for creating an overcast look for cold weather.
  • 061Mist BlueA cool wash good for night scenes.
  • 213White Flame GreenCorrects white flame carbon arcs by absorbing ultra violet.
  • 007Pale YellowSunlight.
  • 103StrawPale sunlight through a window and a good warm winter effect.
  • 009Pale Amber GoldPerfect warm front light for any skin tone.
  • 162Bastard AmberA warm white / warm wash. Good lamplight effect.
  • 154Pale RoseA pleasing effect for theatrical lighting. A good lamplight effect.
  • 035Light PinkA warm wash good for musical reviews.
  • 003Lavender TintSubtle cool wash for stage and studio lighting.
  • 255Hollywood FrostA light frost effect that softens edges.
  • Complementary Pack

    A starter pack for exploring the basics of colour addition and subtraction.

    1 x sheet of each colour.

  • 119Dark BlueGood for mood effects created by backlighting and side lighting. Creates great contrast.
  • 174Dark Steel BlueGreat for set lighting. Creates good moonlight shadows.
  • 115Peacock BlueA pleasing effect on set Good for cyclorama and backlighting (e.g. ice rinks, galas, etc).
  • 117Steel BlueGood for cool washes. Adds a pale green tint. Great for emulating icy weather on stage.
  • 124Dark GreenGood for cycloramas and backlighting.
  • 138Pale GreenGood with gobos for wooded scenes.
  • 007Pale YellowSunlight.
  • 101YellowSunlight and window effect - pleasant in acting areas.
  • 164Flame RedGreat for fire effects.
  • 176Loving AmberUsed for backlighting and general areas. Great for sunrise effect and warming skin tones.
  • 035Light PinkA warm wash good for musical reviews.
  • 128Bright PinkCreated for use as backlighting and side lighting. Great for musicals.
  • Saturates Pack

    A selection of strong and vibrant colours for more intense colour combinations.

    1 x sheet of each colour.

  • 181Congo BlueLooks like black light when used with a fluorescent source. Great effect colour. Very saturated.
  • 126MauveGood for backlighting. Dark magenta / purple adds drama and mood.
  • 120Deep BlueA pleasing effect for theatrical lighting.
  • 116Medium Blue-GreenA pleasing effect for theatrical lighting.
  • 139Primary GreenGood for set lighting and cyclorama lighting.
  • 101YellowSunlight and window effect - pleasant in acting areas.
  • 105OrangeGood for light entertainment and functions. Creates a good fire effect when used with 106, 166, 104.
  • 135Deep Golden AmberA great fire effect.
  • 182Light RedGood for theatre and television effect lighting as well as cycloramas.
  • 027Medium RedGood for cyclorama lighting, side lighting and footlights. Also good for colour mixing.
  • 332Special Rose PinkGreat for Pantomimes, light entertainment etc. A good strong stage wash.
  • 129Heavy FrostA strong diffusion that eliminates nearly all shadows. Flame retardant.
  • Original Pack

    Create 50 colours from 12.

    1 x sheet of each colour.

  • 180Dark LavenderA pleasing effect for theatrical lighting and backlighting.
  • 126MauveGood for backlighting. Dark magenta / purple adds drama and mood.
  • 116Medium Blue-GreenA pleasing effect for theatrical lighting.
  • 144No Colour BlueA clean blue with hints of green. Good for moonlight and sidelight.
  • 118Light BlueA strong night effect.
  • 122Fern GreenGood for cycloramas and creates a great mood effect.
  • 101YellowSunlight and window effect - pleasant in acting areas.
  • 179Chrome OrangeA combination of 1/2 CTO and double strength 104, perfect for sunlight.
  • 192Flesh PinkGood for musical and pantomime key lighting.
  • 128Bright PinkCreated for use as backlighting and side lighting. Great for musicals.
  • 129Heavy FrostA strong diffusion that eliminates nearly all shadows. Flame retardant.
  • 228Brushed SilkDirectional soft lighting effect used for scattering light in one direction only.
  • Studio Pack

    A range of technical filters for basic light source control.

    1 x sheet of each colour.

  • 281Three Quarter C.T. BlueConverts tungsten to daylight.
  • 201Full C.T. BlueConverts tungsten (3200K) to photographic daylight (5700K).
  • 285Three Quarter C.T. OrangeConverts daylight (6500K) to tungsten light (3600K).
  • 204Full C.T. OrangeConverts daylight (6500K) to tungsten light (3200K).
  • 2090.3NDReduces light 1 stop, without changing colour.
  • 2100.6NDReduces light 2 stops, without changing colour.
  • 2110.9NDReduces light 3 stops, without changing colour.
  • 2980.15NDReduces light 1/2 stop, without changing colour.
  • Studio Plus Pack

    A range of technical filters for fine control of light sources.

    2 x sheets of each colour.

  • 202Half C.T. BlueConverts tungsten (3200K) to daylight (4300K).
  • 203Quarter C.T. BlueConverts tungsten (3200K) to daylight (3600K).
  • 206Quarter C.T. OrangeConverts daylight (6500K) to tungsten light (4600K).
  • 205Half C.T. OrangeConverts daylight (6500K) to tungsten light (3800K).
  • 223Eighth C.T. OrangeConverts daylight (6500K) to tungsten light (5550K).
  • 218Eighth C.T. BlueConverts tungsten (3200K) to daylight (3400K).
  • Arc Correction Pack

    A selection of technical filters for colour correction.

    1 x sheets of each colour.

  • 241LEE Fluorescent 5700 KelvinConverts tungsten to fluorescent light of 5700K (cool white/daylight).
  • 219LEE Fluorescent GreenGeneral tungsten to fluorescent correction for use when fluorescent colour temp is unknown, to provide medium correction.
  • 242LEE Fluorescent 4300 KelvinConverts tungsten to fluorescent light of 4300K (white).
  • 243LEE Fluorescent 3600 KelvinConverts tungsten to fluorescent light of 3600K (warm white).
  • 245Half Plus GreenUsed on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 green camera filter.
  • 244LEE Plus GreenUsed on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC30 green camera filter.
  • 206Quarter C.T. OrangeConverts daylight (6500K) to tungsten light (4600K).
  • 205Half C.T. OrangeConverts daylight (6500K) to tungsten light (3800K).
  • Rock n' Roll Pack 1

    3 x sheets of each colour.

  • 181Congo BlueLooks like black light when used with a fluorescent source. Great effect colour. Very saturated.
  • 116Medium Blue-GreenA pleasing effect for theatrical lighting.
  • 158Deep OrangeA great fire effect.
  • 128Bright PinkCreated for use as backlighting and side lighting. Great for musicals.
  • Rock n' Roll Pack 2

    3 x sheets of each colour.

  • 048Rose PurpleGood for emulating evening. Great backlight.
  • 132Medium BlueDeep moonlight. Great for colour mixing.
  • 327Forest GreenA deep green for sinister forest scenes, cycloramas and backlighting.
  • 341PlumGreat for romantic and atmospheric set lighting.
  • Inspiration Pack 1

    3 x sheets of each colour.

  • 058LavenderAn excellent backlight that creates a new dimension.
  • 195Zenith BlueCreates a good moonlight effect on a dark set. Also good for cycloramas.
  • 143Pale Navy BlueGreat moonlight / night effect.
  • 009Pale Amber GoldPerfect warm front light for any skin tone.
  • Inspiration Pack 2

    3 x sheets of each colour.

  • 063Pale BlueCool front light wash, good for creating an overcast look for cold weather.
  • 735Velvet GreenA beautiful background colour. Victorian melodrama. A night time green.
  • 764Sun Colour StrawAdds warmth, bright sunlight.
  • 106Primary RedStrong red effect. Good with cyclorama lighting.
  • DJ Pack 1

    1 x sheet of each colour.

  • 048Rose PurpleGood for emulating evening. Great backlight.
  • 181Congo BlueLooks like black light when used with a fluorescent source. Great effect colour. Very saturated.
  • 343Special Medium LavenderGood for theatre and T.V. effect lighting and backlighting.
  • 068Sky BlueGood for morning skin tones and night skies. Great for cyclorama lights.
  • 116Medium Blue-GreenA pleasing effect for theatrical lighting.
  • 323JadeUsed for underwater scenes, cycloramas and backlighting.
  • 325Mallard GreenGood for mood setting and undergrowth.
  • 015Deep StrawA warm amber light. Good for effects such as candlelight and fire.
  • 020Medium AmberGood for afternoon sunlight and candlelight. Also great for side lighting.
  • 024ScarletGreat for pantomimes, ballroom sets and fire effects.
  • 026Bright RedA vibrant red, good for cyclorama lighting.
  • 328Follies PinkGreat for dramatic stage lighting.
  • DJ Pack 2

    1 x sheet of each colour.

  • 180Dark LavenderA pleasing effect for theatrical lighting and backlighting.
  • 797Deep PurpleUsed in musical performances for general colour washes and set lighting.
  • 197Alice BlueGreat for cyclorama lighting and creating deep blue skies cyclorama cycloramas.
  • 141Bright BlueVery dramatic when used as moonlight.
  • 735Velvet GreenA beautiful background colour. Victorian melodrama. A night time green.
  • 089Moss GreenGood mood creator. Used with gobos, creates a great foliage effect.
  • 105OrangeGood for light entertainment and functions. Creates a good fire effect when used with 106, 166, 104.
  • 744Dirty WhiteCorrect a daylight source to an off white tungsten source. Used with a tungsten source provides a "dingy" effect like a smoky bar.
  • 781Terry RedA strong amber red that works well when used against deep reds and dark ambers, in wash combinations and on cycloramas.
  • 027Medium RedGood for cyclorama lighting, side lighting and footlights. Also good for colour mixing.
  • 328Follies PinkGreat for dramatic stage lighting.
  • 113MagentaVery strong - used carefully for small areas on set.
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