African Theme

American Theme

Seven5 System Pouch

Seven5 System Pouch - Black

Seven5 System Pouch - Black

Holds a Seven5 Filter Holder, Polariser and 8 Filters and is made from a tough, durable fabric. Inside it features a handy concertina design with one slot per filter. Comes with three strap options: over-the-shoulder strap, belt loop, or tripod strap.

Seven5 System Pouch - Forest Green

Seven5 System Pouch - Forest Green

Holds a Seven5 Filter Holder, Polariser and 8 Filters and is made from a tough, durable fabric. Inside it features a handy concertina design with one slot per filter. Comes with three strap options: over-the-shoulder strap, belt loop, or tripod strap.

Aquatic Life

Arabic Theme

Astrology

Astronomy

Backgrounds

Basics

SW150 Polariser

SW150 Polariser: Circular Effect

SW150 Polariser: Circular Effect

Ideal polariser for autofocus SLR cameras. Slots into the Filter Holder which is then rotated. Reduces exposure 1⅔ stops when fully polarised.

Beyond Basics

Blinds

Field Pouch

Black Field Pouch  for 10 Filters (100x150mm)

Black Field Pouch for 10 Filters (100x150mm)

Your filters will always be at your fingertips, thanks to a design that features three strap options: an over-the-shoulder strap, a belt loop, or a tripod strap. Constructed from tough and durable fabric with a concertina design. Holds 10 filters.

Sand Field Pouch for 10 Filters (100x150mm)

Sand Field Pouch for 10 Filters (100x150mm)

Your filters will always be at your fingertips, thanks to a design that features three strap options: an over-the-shoulder strap, a belt loop, or a tripod strap. Constructed from tough and durable fabric with a concertina design. Holds 10 filters.

SW150 Field Pouch

Black Field Pouch for 10 x SW150 Filters (150x170mm)

Black Field Pouch for 10 x SW150 Filters (150x170mm)

Your filters will always be at your fingertips, thanks to a design that features three strap options: over-the-shoulder strap, belt loop, or tripod strap. Made from tough and durable fabric with a concertina design. Holds 10 SW150 filters.

Sand Field Pouch for 10 x SW150 Filters (150x170mm)

Sand Field Pouch for 10 x SW150 Filters (150x170mm)

Your filters will always be at your fingertips, thanks to a design that features three strap options: over-the-shoulder strap, belt loop, or tripod strap. Made from tough and durable fabric with a concertina design. Holds 10 SW150 filters.

Building Patterns

Celebration

Stopper Case

Stopper Case

Stopper Case

Protect your Stopper filters from unwanted knocks whilst in your camera bag with this protective tin case. The case has a foam insert that holds the filter firmly in place reducing the risk of damaging the filter.

Celtic

SW150 Adaptor Rings

SW150 Adaptor: Nikon 14-24mm

SW150 Adaptor: Nikon 14-24mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Nikon AF-S Nikkor 14-24mm f/2.8G ED lens.

  • SW-150
    150x150mm
SW150 Adaptor: Samyang 14mm

SW150 Adaptor: Samyang 14mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Samyang 14mm f/2.8 ED AS IF UMC lens.

  • SW-150
    150x150mm
SW150 Adaptor: Sigma 12-24mm

SW150 Adaptor: Sigma 12-24mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Sigma 12-24mm f4.5-5.6 DG HSM II lens.

  • SW-150
    150x150mm
SW150 Adaptor: Tokina 16-28mm

SW150 Adaptor: Tokina 16-28mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Tokina AT-X 16-28mm f/2.8 PRO FX lens.

  • SW-150
    150x150mm
SW150 Adaptor: Canon EF 14mm

SW150 Adaptor: Canon EF 14mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Canon EF 14mm f2.8 L II USM lens.

  • SW-150
    150x150mm
SW150 Adaptor: Nikon 14mm

SW150 Adaptor: Nikon 14mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Nikon 14mm f2.8 D AF ED lens.

  • SW-150
    150x150mm
SW150 Adaptor: Canon 11-24mm

SW150 Adaptor: Canon 11-24mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Canon EF 11-24mm f4L USM lens.
Due to the physical size of this lens, and the extremely wide angle of view, the SW150 filter holder will vignette at the widest angles. To avoid this we recommend using a minimum focal length of 13.5mm when using the filter holder with two filter slots and 12.5mm when using the holder with one filter slot.

  • SW-150
    150x150mm
SW150 Adaptor: Tamron 15-30mm

SW150 Adaptor: Tamron 15-30mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Tamron 15-30mm f2.8 SP Di VC USD lens.

This Adaptor also perfectly fits the Pentax FA 15-30mm f2.8 ED SDM WR lens.

  • SW-150
    150x150mm
SW150 Adaptor: Sigma 20mm

SW150 Adaptor: Sigma 20mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Sigma 20mm f1.4 HSM Art lens.

  • SW-150
    150x150mm
SW150 Adaptor - Olympus 7-14mm

SW150 Adaptor - Olympus 7-14mm

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Olympus 7-14mm Pro f2.8 lens.
(An adaptor is also available for the 100mm System).

  • SW-150
    150x150mm
SW150 Adaptor: Nikon 19mm PCE

SW150 Adaptor: Nikon 19mm PCE

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Nikon PC NIKKOR 19mm f/4E ED Tilt-Shift lens.

  • SW-150
    150x150mm
SW150 Adaptor: Sigma 12-24 Art

SW150 Adaptor: Sigma 12-24 Art

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Sigma 12-24mm f4 Art DG HSM lens.
Due to the physical size of this lens, and the extremely wide angle of view, the SW150 filter holder will vignette at the widest angles. To avoid this we recommend using a minimum focal length of 15mm when using filter holder with two filter slots and 13.5mm when using with one filter slot.

  • SW-150
    150x150mm
SW150 Adaptor: Sigma 14mm f1.8 DG Art

SW150 Adaptor: Sigma 14mm f1.8 DG Art

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Sigma 14mm f1.8 DG Art lens.

  • SW-150
    150x150mm
SW150 Adaptor: Sigma 14-24 Art

SW150 Adaptor: Sigma 14-24 Art

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Sigma 14-24mm f2.8 Art lens.

  • SW-150
    150x150mm
SW150 Adaptor: Canon TS-E 17mm

SW150 Adaptor: Canon TS-E 17mm

This Adaptor enables photographers to use the lens’ full range of tilt and shift functions. It consists of a front ring, a compressor ring and a locking ring specifically designed for the Canon TS-E 17mm lens.

  • SW-150
    150x150mm
SW150 Adaptor: Fujifilm XF 8-16mm f2.8

SW150 Adaptor: Fujifilm XF 8-16mm f2.8

The Adaptor consists of a front ring, a compressor ring and a locking ring specifically designed for the Fujifilm XF 8-16mm f2.8 lens.

  • SW-150
    150x150mm

SW150 Screw-In Lens Adaptors

72mm Screw-In Lens Adaptor for SW150

72mm Screw-In Lens Adaptor for SW150

This allows the SW150 system to be fitted to lenses with a 72mm screw-in filter thread. It means that the system is no longer limited to just ultra-wideangle lenses.

  • SW-150
    150x150mm
77mm Screw-In Lens Adaptor for SW150

77mm Screw-In Lens Adaptor for SW150

This allows the SW150 system to be fitted to lenses with a 77mm screw-in filter thread. It means that the system is no longer limited to just ultra-wideangle lenses.

  • SW-150
    150x150mm
82mm Screw-In Lens Adaptor for SW150

82mm Screw-In Lens Adaptor for SW150

This allows the SW150 system to be fitted to lenses with a 82mm screw-in filter thread. It means that the system is no longer limited to just ultra-wideangle lenses.

  • SW-150
    150x150mm
86mm Screw-In Lens Adaptor for SW150

86mm Screw-In Lens Adaptor for SW150

This allows the SW150 system to be fitted to lenses with a 86mm screw-in filter thread. It means that the system is no longer limited to just ultra-wideangle lenses.

  • SW-150
    150x150mm
95mm Screw-In Lens Adaptor for SW150

95mm Screw-In Lens Adaptor for SW150

This allows the SW150 system to be fitted to lenses with a 95mm screw-in filter thread. It means that the system is no longer limited to just ultra-wideangle lenses.

  • SW-150
    150x150mm
105mm Screw-In Lens Adaptor for SW150

105mm Screw-In Lens Adaptor for SW150

This allows the SW150 system to be fitted to lenses with a 105mm screw-in filter thread. It means that the system is no longer limited to just ultra-wideangle lenses.

  • SW-150
    150x150mm

Christian

Christmas

SW150 Mark II Filter Holder

SW150 Mark II Filter Holder

SW150 Mark II Filter Holder

This has been specially designed for supported ultra-wideangle lenses and comes assembled with two filter slots and a Lightshield. The shield enables use of both the Little and Big Stopper.

  • SW-150
    150x150mm

SW150 Lightshield

SW150 Lightshield

SW150 Lightshield

Photographers who already own the SW150 Mark I can purchase the Lightshield separately and retro fit it to their existing SW150 filter holder to use both the Big and Little Stopper.

  • SW-150
    150x150mm

Clock Faces

Clouds

Digital Time

Seven5 Black & White Set

8 Yellow Standard

8 Yellow Standard

Darkens sky, cloud and foliage to reproduce correct tones.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
11 Yellowish Green Standard

11 Yellowish Green Standard

Alters the response of panchromatic emulsions to be equivalent to the eye responding to objects under tungsten illumination.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
23A Light Red Standard

23A Light Red Standard

Greater contrast effect than No. 21 Orange.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Doors

Seven5 Urban ND Set

0.6 Neutral Density Soft Grad

0.6 Neutral Density Soft Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.9 Neutral Density Soft Grad

0.9 Neutral Density Soft Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
The Big Stopper for Seven5

The Big Stopper for Seven5

A glass filter that reduces exposure by approximately 10 stops.

  • Seven5
    75x90mm

Dot Basics

Eastern Theme

Seven5 Seascape ND Set

0.3 Neutral Density Hard Grad

0.3 Neutral Density Hard Grad

Reduces exposure by 1 stop without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.9 Neutral Density Hard Grad

0.9 Neutral Density Hard Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
The Big Stopper for Seven5

The Big Stopper for Seven5

A glass filter that reduces exposure by approximately 10 stops.

  • Seven5
    75x90mm

Seven5 Out of Town ND Set

0.9 Neutral Density Hard Grad

0.9 Neutral Density Hard Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.6 Neutral Density Soft Grad

0.6 Neutral Density Soft Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
The Big Stopper for Seven5

The Big Stopper for Seven5

A glass filter that reduces exposure by approximately 10 stops.

  • Seven5
    75x90mm

Egyptian Theme

Seven5 Hood

Seven5 Hood

Seven5 Hood

Designed to snap easily to the front of the Seven5 filter holder and shade the lens when you are out and about. The Seven5 Polariser will fit easily inside the Hood when needed.

Expression

Seven5 Triple Filter Wrap

Seven5 Triple Filter Wrap

Seven5 Triple Filter Wrap

Holds three filters, and serves a dual purpose: not only does it keep your filters safe, but it also doubles up as a cleaning cloth.

Fire

Flags

Seven5 Deluxe Kit

0.6 Neutral Density Hard Grad

0.6 Neutral Density Hard Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.9 Neutral Density Hard Grad

0.9 Neutral Density Hard Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.6 Neutral Density Soft Grad

0.6 Neutral Density Soft Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Seven5 Filter Holder

Seven5 Filter Holder

A lightweight, precision-engineered filter holder specifically designed for everyday Compact System Cameras. Also available as part of the Seven5 Starter Kit.

  • Seven5
    75x90mm
Seven5 Circular Polariser

Seven5 Circular Polariser

A unique clip-on design means this can be snapped onto the front of the Seven5 Holder and rotated independently of any graduated filters also in use. Reduces exposure 1⅔ stops when fully polarised.

The Big Stopper for Seven5

The Big Stopper for Seven5

A glass filter that reduces exposure by approximately 10 stops.

  • Seven5
    75x90mm

Foliage

French Theme

Greek Theme

Greetings - Dutch

Seven5 Polariser

Seven5 Circular Polariser

Seven5 Circular Polariser

A unique clip-on design means this can be snapped onto the front of the Seven5 Holder and rotated independently of any graduated filters also in use. Reduces exposure 1⅔ stops when fully polarised.

Greetings - English

Seven5 Starter Kit

0.6 Neutral Density Hard Grad

0.6 Neutral Density Hard Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Seven5 Filter Holder

Seven5 Filter Holder

A lightweight, precision-engineered filter holder specifically designed for everyday Compact System Cameras. Also available as part of the Seven5 Starter Kit.

  • Seven5
    75x90mm

Greetings - French

Seven5 Holder

Seven5 Filter Holder

Seven5 Filter Holder

A lightweight, precision-engineered filter holder specifically designed for everyday Compact System Cameras. Also available as part of the Seven5 Starter Kit.

  • Seven5
    75x90mm

Greetings - German

Greetings - Greek

Seven5 Adaptor Rings

Seven5 Adaptor Ring for Fuji X100/X100s

Seven5 Adaptor Ring for Fuji X100/X100s

This ring screws directly to the outer thread of the lens on the Fuji X100, giving users the opportunity to fit the LEE Seven5 Filter System to their cameras.

37mm Adaptor Ring for Seven5 and RF-75

37mm Adaptor Ring for Seven5 and RF-75

For lenses with a 37mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

37.5mm Adaptor Ring for Seven5 and RF-75

37.5mm Adaptor Ring for Seven5 and RF-75

For lenses with a 37.5mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

39mm Adaptor Ring for Seven5 and RF-75

39mm Adaptor Ring for Seven5 and RF-75

For lenses with a 39mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

40mm Adaptor Ring for Seven5 and RF-75

40mm Adaptor Ring for Seven5 and RF-75

For lenses with a 40mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

40.5mm Adaptor Ring for Seven5 and RF-75

40.5mm Adaptor Ring for Seven5 and RF-75

For lenses with a 40.5mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

43mm Adaptor Ring for Seven5 and RF-75

43mm Adaptor Ring for Seven5 and RF-75

For lenses with a 43mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

46mm Adaptor Ring for Seven5 and RF-75

46mm Adaptor Ring for Seven5 and RF-75

For lenses with a 46mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

49mm Adaptor Ring for Seven5 and RF-75

49mm Adaptor Ring for Seven5 and RF-75

For lenses with a 49mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

52mm Adaptor Ring for Seven5 and RF-75

52mm Adaptor Ring for Seven5 and RF-75

For lenses with a 52mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

55mm Adaptor Ring for Seven5 and RF-75

55mm Adaptor Ring for Seven5 and RF-75

For lenses with a 55mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

58mm Adaptor Ring for Seven5 and RF-75

58mm Adaptor Ring for Seven5 and RF-75

For lenses with a 58mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

60mm Adaptor Ring for Seven5 and RF-75

60mm Adaptor Ring for Seven5 and RF-75

For lenses with a 60mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

62mm Adaptor Ring for Seven5 and RF-75

62mm Adaptor Ring for Seven5 and RF-75

For lenses with a 62mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

67mm Adaptor Ring for Seven5 and RF-75

67mm Adaptor Ring for Seven5 and RF-75

For lenses with a 67mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

72mm Adaptor Ring for Seven5

72mm Adaptor Ring for Seven5

For lenses with a 72mm thread. Screws onto the lens with a fluid action, thanks to the sturdy construction and aluminium screw thread.

Greetings - Italian

Greetings - Portuguese

Greetings - Spanish

Grid Line Up

Halloween

Neutral Density Standards

0.3 Neutral Density Standard

0.3 Neutral Density Standard

Reduces exposure by 1 stop without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.45 Neutral Density Standard

0.45 Neutral Density Standard

Reduces exposure by 1½ stops without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.6 Neutral Density Standard

0.6 Neutral Density Standard

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.75 Neutral Density Standard

0.75 Neutral Density Standard

Reduces exposure by 2½ stops without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.9 Neutral Density Standard

0.9 Neutral Density Standard

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Independence Day

Italian Theme

ProGlass IRND

ProGlass IRND - 0.6ND (2 stop)

ProGlass IRND - 0.6ND (2 stop)

High quality 2 stop neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
ProGlass IRND - 0.9ND (3 stop)

ProGlass IRND - 0.9ND (3 stop)

High quality 3 stop neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
ProGlass IRND - 1.2ND (4 stop)

ProGlass IRND - 1.2ND (4 stop)

High quality 4 stop neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
ProGlass IRND - 1.8ND (6 stop)

ProGlass IRND - 1.8ND (6 stop)

High quality 6 stop neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Features a light-tight foam seal.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
ProGlass IRND - 3.0ND (10 stop)

ProGlass IRND - 3.0ND (10 stop)

High quality 10 stop neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Features a light-tight foam seal.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
ProGlass IRND - 4.5ND (15 stop)

ProGlass IRND - 4.5ND (15 stop)

High quality 15 stop neutral density standard glass filter. Reduces the exposure equally across the frame and blocks both infrared and ultraviolet pollution, ensuring colours are crisp, punchy and vibrant. Features a light-tight foam seal.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Japanese Theme

Reverse ND

0.6 Reverse ND

0.6 Reverse ND

Controls exposure at sunrise and sunset, reducing exposure by 2 stops on the horizon with a transition zone that balances the sky’s exposure.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.9 Reverse ND

0.9 Reverse ND

Controls exposure at sunrise and sunset, reducing exposure by 3 stops on the horizon with a transition zone that balances the sky’s exposure.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
1.2 Reverse ND

1.2 Reverse ND

Controls exposure at sunrise and sunset, reducing exposure by 4 stops on the horizon with a transition zone that balances the sky’s exposure.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

The Super Stopper

The Super Stopper

The Super Stopper

A glass filter that reduces exposure by approximately 15 stops.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Jewish

Letters - Gill Sans LC

The Big Stopper

The Big Stopper

The Big Stopper

A glass filter that reduces exposure by approximately 10 stops.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Letters - Gill Sans UC

The Little Stopper

The Little Stopper

The Little Stopper

A glass filter that reduces exposure by approximately 6 stops.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Line Basics

Money

Months & Days

Nature

Numbers - Gill Sans

Occasions

Black and White Filters

3 Light Yellow Standard

3 Light Yellow Standard

Partially corrects for excess blue in aerial photography.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
8 Yellow Standard

8 Yellow Standard

Darkens sky, cloud and foliage to reproduce correct tones.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
11 Yellowish Green Standard

11 Yellowish Green Standard

Alters the response of panchromatic emulsions to be equivalent to the eye responding to objects under tungsten illumination.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
12 Deep Yellow Standard

12 Deep Yellow Standard

Minus blue filter. Can be used to cancel blue light when infrared-sensitive films are exposed. Also penetration of haze during aerial photography.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
15 Deep Yellow Standard

15 Deep Yellow Standard

Increases contrast between cloud and sky greater than No. 8, for over-correction effect. Also used for copying documents on yellowed paper.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
16 Yellow Orange Standard

16 Yellow Orange Standard

Gives even greater over-correction than No. 15. Absorbs a small amount of green.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
21 Orange Standard

21 Orange Standard

Contrast filter. Absorbs blue and blue/green.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
23A Light Red Standard

23A Light Red Standard

Greater contrast effect than No. 21 Orange.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Organic Break Ups

Premier

Solar Eclipse Filter

Solar Eclipse Filter

Solar Eclipse Filter

When shooting solar events this filter brings the exposure range down to manageable levels. NEVER look directly at the sun, even through the filter.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm

Psycho

Radial

Real Basics

Real Branches

Real Foliage

Coral Filters

Coral 1 Graduated

Coral 1 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 1 Standard

Coral 1 Standard

Pinkish warm-up, redder than the 81 series.

Coral 2 Graduated

Coral 2 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 2 Standard

Coral 2 Standard

Pinkish warm-up, redder than the 81 series.

Coral 3 Graduated

Coral 3 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 3 Standard

Coral 3 Standard

Pinkish warm-up, redder than the 81 series.

Coral 4 Graduated

Coral 4 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 4 Standard

Coral 4 Standard

Pinkish warm-up, redder than the 81 series.

Coral 5 Graduated

Coral 5 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 5 Standard

Coral 5 Standard

Pinkish warm-up, redder than the 81 series.

Coral 6 Graduated

Coral 6 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 6 Standard

Coral 6 Standard

Pinkish warm-up, redder than the 81 series.

Coral 7 Graduated

Coral 7 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 7 Standard

Coral 7 Standard

Pinkish warm-up, redder than the 81 series.

Coral 8 Graduated

Coral 8 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 8 Standard

Coral 8 Standard

Pinkish warm-up, redder than the 81 series.

Coral 9 Graduated

Coral 9 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 9 Standard

Coral 9 Standard

Pinkish warm-up, redder than the 81 series.

Coral 10 Graduated

Coral 10 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 10 Standard

Coral 10 Standard

Pinkish warm-up, redder than the 81 series.

Coral 11 Graduated

Coral 11 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 11 Standard

Coral 11 Standard

Pinkish warm-up, redder than the 81 series.

Coral 12 Graduated

Coral 12 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 12 Standard

Coral 12 Standard

Pinkish warm-up, redder than the 81 series.

Coral 13 Graduated

Coral 13 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 13 Standard

Coral 13 Standard

Pinkish warm-up, redder than the 81 series.

Coral 14 Graduated

Coral 14 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 14 Standard

Coral 14 Standard

Pinkish warm-up, redder than the 81 series.

Coral Stripe Pale

Coral Stripe Pale

Paler and thinner than the Coral Stripe for a more subtle effect.

Coral Stripe

Coral Stripe

Pinkish warm-up, redder than the 81 series.

Real Stars

Religion

Straw Filters

Straw 1 Graduated

Straw 1 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 1 Standard

Straw 1 Standard

A greater yellow warm-up for landscapes.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Straw 2 Graduated

Straw 2 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 2 Standard

Straw 2 Standard

A greater yellow warm-up for landscapes.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Straw 3 Graduated

Straw 3 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 3 Standard

Straw 3 Standard

A greater yellow warm-up for landscapes.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Straw Stripe

Straw Stripe

A greater yellow warm-up for landscapes.

  • 100mm System
    100x150mm

Signs

Coral Set

Coral 2 Graduated

Coral 2 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 4 Graduated

Coral 4 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 6 Graduated

Coral 6 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Landscape Set

Straw 3 Graduated

Straw 3 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Real Blue 2 Graduated

Real Blue 2 Graduated

Darker and blacker than Sky Blue, gives a deeper effect to skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 2 Graduated

Sepia 2 Graduated

Gives a brown tinted monochrome look, less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Skylines

Snowflakes

Autumn Tint Set

Autumn: Chocolate 2 Graduated

Autumn: Chocolate 2 Graduated

Accentuates autumn leaves, stone etc. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Autumn: Tobacco 2 Graduated

Autumn: Tobacco 2 Graduated

Darker and redder than Chocolate or Sepia, a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Autumn: Coral 6 Graduated

Autumn: Coral 6 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard (pictured) or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Spiral

Colours

Coral 1 Graduated

Coral 1 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 2 Graduated

Coral 2 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 3 Graduated

Coral 3 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 4 Graduated

Coral 4 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 5 Graduated

Coral 5 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 6 Graduated

Coral 6 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 7 Graduated

Coral 7 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 8 Graduated

Coral 8 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 9 Graduated

Coral 9 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 10 Graduated

Coral 10 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 11 Graduated

Coral 11 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 12 Graduated

Coral 12 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 13 Graduated

Coral 13 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 14 Graduated

Coral 14 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral Stripe Pale

Coral Stripe Pale

Paler and thinner than the Coral Stripe for a more subtle effect.

Coral Stripe

Coral Stripe

Pinkish warm-up, redder than the 81 series.

Straw 1 Graduated

Straw 1 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 2 Graduated

Straw 2 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 3 Graduated

Straw 3 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw Stripe

Straw Stripe

A greater yellow warm-up for landscapes.

  • 100mm System
    100x150mm
Pop Red

Pop Red

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Sunsets 1

Sunsets 1

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunsets 2

Sunsets 2

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunsets 3

Sunsets 3

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunset Yellow

Sunset Yellow

The yellow portion of the sunset grad.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunset Orange

Sunset Orange

The orange portion of the sunset grad.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Chocolate 1

Chocolate 1

Accentuates brown tones, such as autumn leaves and stone. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Chocolate 2

Chocolate 2

Accentuates brown tones, such as autumn leaves and stone. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tobacco 1

Tobacco 1

Darker and more red than Chocolate and Sepia filters, with a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tobacco 2

Tobacco 2

Darker and more red than Chocolate and Sepia filters, with a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tobacco 3

Tobacco 3

Darker and more red than Chocolate and Sepia filters, with a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 1

Sepia 1

For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 2

Sepia 2

For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 3

Sepia 3

For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Green 1

Green 1

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pop Green

Pop Green

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pop Blue

Pop Blue

A deep red-blue, mainly for colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Real Blue 1

Real Blue 1

Darker and more black than Sky Blue, for a stronger impact on skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Real Blue 2

Real Blue 2

Darker and more black than Sky Blue, for a stronger impact on skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Real Blue 3

Real Blue 3

Darker and more black than Sky Blue, for a stronger impact on skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 1

Sky Blue 1

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 2

Sky Blue 2

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 3

Sky Blue 3

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 4

Sky Blue 4

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 5

Sky Blue 5

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Cyan

Cyan

For colour effects. Available with Hard or Soft gradation.

Cyan 1

Cyan 1

For colour effects. Available with Hard or Soft gradation.

Twilight

Twilight

Deep blue-black gives a monochromatic twilight appearance. Available with Hard or Soft gradation.

Mahogany 1

Mahogany 1

Enhances impression of dawn and evening light in skies; ‘red sky at night’ effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Mahogany 2

Mahogany 2

Enhances impression of dawn and evening light in skies; ‘red sky at night’ effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Mahogany 3

Mahogany 3

Enhances impression of dawn and evening light in skies; ‘red sky at night’ effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Magenta

Magenta

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pink 1

Pink 1

For colour effects. Available with Hard or Soft gradation.

Pink Stripe

Pink Stripe

For colour effects.

Sunset Red

Sunset Red

The red portion of the Sunset Graduated Filter.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Yellow

Yellow

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm

Sporting Theme

Square Basics

St. Patrick’s Day

Stained Glass

Star Break Ups

Star Shapes

Styled Break Ups

Symbols

Theatre

Transport

Trees

UK Theme

Valentine’s

Water

Weather

Wedding

Windows

Worlds

Sky Set

Coral Stripe

Coral Stripe

Pinkish warm-up, redder than the 81 series.

Sunsets 2

Sunsets 2

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 3

Sky Blue 3

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Sky Blue Set

Sky Blue 1

Sky Blue 1

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 2

Sky Blue 2

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sky Blue 3

Sky Blue 3

A green-blue to bring realistic colour into flat skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Sunrise Set

Straw 2 Graduated

Straw 2 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw Stripe

Straw Stripe

A greater yellow warm-up for landscapes.

  • 100mm System
    100x150mm
Mahogany 1

Mahogany 1

Enhances impression of dawn and evening light in skies; ‘red sky at night’ effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Twilight Set

Coral Stripe Pale

Coral Stripe Pale

Paler and thinner than the Coral Stripe for a more subtle effect.

Twilight

Twilight

Deep blue-black gives a monochromatic twilight appearance. Available with Hard or Soft gradation.

Mahogany 3

Mahogany 3

Enhances impression of dawn and evening light in skies; ‘red sky at night’ effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Sunset Set

Sunset Yellow

Sunset Yellow

The yellow portion of the sunset grad.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunset Orange

Sunset Orange

The orange portion of the sunset grad.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunset Red

Sunset Red

The red portion of the Sunset Graduated Filter.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Colour Grad Set

Cyan

Cyan

For colour effects. Available with Hard or Soft gradation.

Magenta

Magenta

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Yellow

Yellow

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm

Pop Set

Pop Red

Pop Red

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pop Green

Pop Green

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pop Blue

Pop Blue

A deep red-blue, mainly for colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm

Pale Tint Set

Green 1

Green 1

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Cyan 1

Cyan 1

For colour effects. Available with Hard or Soft gradation.

Pink 1

Pink 1

For colour effects. Available with Hard or Soft gradation.

Polyester Neutral Density Standards

Polyester 0.1 Neutral Density Standard - Unmounted

Polyester 0.1 Neutral Density Standard - Unmounted

Reduces exposure by 13 stop without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.2 Neutral Density Standard - Unmounted

Polyester 0.2 Neutral Density Standard - Unmounted

Reduces exposure by 23 stop without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.4 Neutral Density Standard - Unmounted

Polyester 0.4 Neutral Density Standard - Unmounted

Reduces exposure by 113 stops without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.5 Neutral Density Standard - Unmounted

Polyester 0.5 Neutral Density Standard - Unmounted

Reduces exposure by 123 stops without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.7 Neutral Density Standard - Unmounted

Polyester 0.7 Neutral Density Standard - Unmounted

Reduces exposure by 213 stops without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.8 Neutral Density Standard - Unmounted

Polyester 0.8 Neutral Density Standard - Unmounted

Reduces exposure by 223 stops without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.3 Neutral Density Standard - Unmounted

Polyester 0.3 Neutral Density Standard - Unmounted

Reduces exposure by 1 stop without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.6 Neutral Density Standard - Unmounted

Polyester 0.6 Neutral Density Standard - Unmounted

Reduces exposure by 2 stops without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.9 Neutral Density Standard - Unmounted

Polyester 0.9 Neutral Density Standard - Unmounted

Reduces exposure by 3 stops without affecting colour balance.

  • Polyester
    100x100mm

Neutral Density Set

Polyester 0.3 Neutral Density Standard

Polyester 0.3 Neutral Density Standard

Reduces exposure by 1 stop without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.6 Neutral Density Standard

Polyester 0.6 Neutral Density Standard

Reduces exposure by 2 stops  without affecting colour balance.

  • Polyester
    100x100mm
Polyester 0.9 Neutral Density Standard

Polyester 0.9 Neutral Density Standard

Reduces exposure by 3 stops  without affecting colour balance.

  • Polyester
    100x100mm

Black and White Set

Polyester 8 Yellow Standard

Polyester 8 Yellow Standard

Darkens sky, cloud and foliage to reproduce correct tones.

  • Polyester
    100x100mm
Polyester 11 Yellowish Green Standard

Polyester 11 Yellowish Green Standard

Alters the response of panchromatic emulsions to be equivalent to the eye responding to objects under tungsten illumination.

  • Polyester
    100x100mm
Polyester 21 Orange Standard

Polyester 21 Orange Standard

Contrast filter. Absorbs blue and blue/green.

  • Polyester
    100x100mm
Polyester 23A Light Red Standard

Polyester 23A Light Red Standard

Greater contrast effect than No. 21 Orange.

  • Polyester
    100x100mm

Warm Up Set

Polyester 81 Standard

Polyester 81 Standard

Exposure:

Conversion: 3300K to 3200K

Mired Shift: +9

Pale amber for fine adjustment.

  • Polyester
    100x100mm
Polyester 81B Standard

Polyester 81B Standard

Exposure:

Conversion: 3500K to 3200K

Mired Shift: +27

Pale amber for fine adjustment.

  • Polyester
    100x100mm
Polyester 81D Standard

Polyester 81D Standard

Exposure:

Conversion: 3700K to 3200K

Mired Shift: +42

Pale amber for fine adjustment.

  • Polyester
    100x100mm
Polyester 85C Standard

Polyester 85C Standard

Exposure:

Conversion: 5500K to 3800K

Mired Shift: +81

Amber for major adjustment.

  • Polyester
    100x100mm

Soft Set

Polyester Soft 1

Polyester Soft 1

Light soft focus virtually unaffected by variations in aperture and focal length.

  • Polyester
    100x100mm
Polyester Soft 2

Polyester Soft 2

Soft focus virtually unaffected by variations in aperture and focal length.

  • Polyester
    100x100mm
Polyester Soft 3

Polyester Soft 3

Soft focus virtually unaffected by variations in aperture and focal length.

  • Polyester
    100x100mm
Polyester Soft 4

Polyester Soft 4

Soft focus virtually unaffected by variations in aperture and focal length.

  • Polyester
    100x100mm
Polyester Soft 5

Polyester Soft 5

Strong soft focus virtually unaffected by variations in aperture and focal length.

  • Polyester
    100x100mm

Magenta Set

Polyester CC05M Magenta

Polyester CC05M Magenta

Exposure:

Designed to absorb the green cast created by fluorescent lighting.

  • Polyester
    100x100mm
Polyester CC10M Magenta

Polyester CC10M Magenta

Exposure:

Designed to absorb the green cast created by fluorescent lighting.

  • Polyester
    100x100mm
Polyester CC20M Magenta

Polyester CC20M Magenta

Exposure:

Designed to absorb the green cast created by fluorescent lighting.

  • Polyester
    100x100mm
Polyester CC25M Magenta

Polyester CC25M Magenta

Exposure:

Designed to absorb the green cast created by fluorescent lighting.

  • Polyester
    100x100mm
Polyester CC30M Magenta

Polyester CC30M Magenta

Exposure:

Designed to absorb the green cast created by fluorescent lighting.

  • Polyester
    100x100mm

Colour Temperature Set

Polyester 85C Standard

Polyester 85C Standard

Exposure:

Conversion: 5500K to 3800K

Mired Shift: +81

Amber for major adjustment.

  • Polyester
    100x100mm
Polyester 85B Standard

Polyester 85B Standard

Exposure:

Conversion: 5500K to 3200K

Mired Shift: +131

Amber for major adjustment.

  • Polyester
    100x100mm
Polyester 80C Standard

Polyester 80C Standard

Exposure: 1

Conversion: 3800K to 5500K

Mired Shift: -81

Blue for major adjustment.

  • Polyester
    100x100mm
Polyester 80A Standard

Polyester 80A Standard

Exposure: 2

Conversion: 3200K to 5500K

Mired Shift: -131

Blue for major adjustment.

  • Polyester
    100x100mm

Fine Colour Temperature Set

Polyester 81D Standard

Polyester 81D Standard

Exposure:

Conversion: 3700K to 3200K

Mired Shift: +42

Pale amber for fine adjustment.

  • Polyester
    100x100mm
Polyester 81A Standard

Polyester 81A Standard

Exposure:

Conversion: 3400K to 3200K

Mired Shift: +18

Pale amber for fine adjustment.

  • Polyester
    100x100mm
Polyester 82A Standard

Polyester 82A Standard

Exposure:

Conversion: 3000K to 3200K

Mired Shift: -21

Pale blue for fine adjustment.

  • Polyester
    100x100mm
Polyester 82C Standard

Polyester 82C Standard

Exposure:

Conversion: 2800K to 3200K

Mired Shift: -45

Pale blue for fine adjustment.

  • Polyester
    100x100mm

Daylight Fluorescent Set

Polyester FL3600-D

Polyester FL3600-D

Exposure: 1⅔

Balances 3600K warm white tubes for 5500K Daylight Film.

  • Polyester
    100x100mm
Polyester FL4300-D

Polyester FL4300-D

Exposure: 1

Balances 4300K white tubes for 5500K Daylight Film.

  • Polyester
    100x100mm
Polyester FL5700-D

Polyester FL5700-D

Exposure:

Balances 5700K cool white tubes for 5500K Daylight Film.

  • Polyester
    100x100mm

Tungsten Fluorescent Set

Polyester FL3600-B

Polyester FL3600-B

Exposure:

Balances 3600K warm white tubes for 3200K Tungsten Film.

  • Polyester
    100x100mm
Polyester FL4300-B

Polyester FL4300-B

Exposure: 1

Balances 4300K white tubes for 3200K Tungsten Film.

  • Polyester
    100x100mm
Polyester FL5700-B

Polyester FL5700-B

Exposure: 1⅓

Balances 5700K cool white tubes for 3200K Tungsten Film.

  • Polyester
    100x100mm

Colour Temperature

80A Standard

80A Standard

Exposure: 2

Conversion: 3200K to 5500K

Mired Shift: -131

Blue for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
80A Graduated

80A Graduated

Exposure: 2

Conversion: 3200K to 5500K

Mired Shift: -131

Blue for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
80B Standard

80B Standard

Exposure: 1⅔

Conversion: 3400K to 5500K

Mired Shift: -112

Blue for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
80B Graduated

80B Graduated

Exposure: 1⅔

Conversion: 3400K to 5500K

Mired Shift: -112

Blue for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
80C Standard

80C Standard

Exposure: 1

Conversion: 3800K to 5500K

Mired Shift: -81

Blue for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
80C Graduated

80C Graduated

Exposure: 1

Conversion: 3800K to 5500K

Mired Shift: -81

Blue for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
80D Standard

80D Standard

Exposure:

Conversion: 4200K to 5500K

Mired Shift: -56

Blue for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
80D Graduated

80D Graduated

Exposure:

Conversion: 4200K to 5500K

Mired Shift: -56

Blue for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
82C Standard

82C Standard

Exposure:

Conversion: 2800K to 3200K

Mired Shift: -45

Pale blue for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
82C Graduated

82C Graduated

Exposure:

Conversion: 2800K to 3200K

Mired Shift: -45

Pale blue for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
82B Standard

82B Standard

Exposure:

Conversion: 2900K to 3200K

Mired Shift: -32

Pale blue for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
82B Graduated

82B Graduated

Exposure:

Conversion: 2900K to 3200K

Mired Shift: -32

Pale blue for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
82A Standard

82A Standard

Exposure:

Conversion: 3000K to 3200K

Mired Shift: -21

Pale blue for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
82A Graduated

82A Graduated

Exposure:

Conversion: 3000K to 3200K

Mired Shift: -21

Pale blue for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
82 Standard

82 Standard

Exposure:

Conversion: 3100K to 3200K

Mired Shift: -10

Pale blue for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
82 Graduated

82 Graduated

Exposure:

Conversion: 3100K to 3200K

Mired Shift: -10

Pale blue for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
81 Standard

81 Standard

Exposure:

Conversion: 3300K to 3200K

Mired Shift: +9

Pale amber for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81 Graduated

81 Graduated

Exposure:

Conversion: 3300K to 3200K

Mired Shift: +9

Pale amber for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
81A Standard

81A Standard

Exposure:

Conversion: 3400K to 3200K

Mired Shift: +18

Pale amber for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81A Graduated

81A Graduated

Exposure:

Conversion: 3400K to 3200K

Mired Shift: +18

Pale amber for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
81B Standard

81B Standard

Exposure:

Conversion: 3500K to 3200K

Mired Shift: +27

Pale amber for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81B Graduated

81B Graduated

Exposure:

Conversion: 3500K to 3200K

Mired Shift: +27

Pale amber for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
81C Standard

81C Standard

Exposure:

Conversion: 3600K to 3200K

Mired Shift: +35

Pale amber for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81C Graduated

81C Graduated

Exposure:

Conversion: 3600K to 3200K

Mired Shift: +35

Pale amber for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
81D Standard

81D Standard

Exposure:

Conversion: 3700K to 3200K

Mired Shift: +42

Pale amber for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81D Graduated

81D Graduated

Exposure:

Conversion: 3700K to 3200K

Mired Shift: +42

Pale amber for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
81EF Standard

81EF Standard

Exposure:

Conversion: 3850K to 3200K

Mired Shift: +53

Pale amber for fine adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81EF Graduated

81EF Graduated

Exposure:

Conversion: 3850K to 3200K

Mired Shift: +53

Pale amber for fine adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
85C Standard

85C Standard

Exposure:

Conversion: 5500K to 3800K

Mired Shift: +81

Amber for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85C Graduated

85C Graduated

Exposure:

Conversion: 5500K to 3800K

Mired Shift: +81

Amber for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
85 Standard

85 Standard

Exposure:

Conversion: 5500K to 3400K

Mired Shift: +112

Amber for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85 Graduated

85 Graduated

Exposure:

Conversion: 5500K to 3400K

Mired Shift: +112

Amber for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
85B Standard

85B Standard

Exposure:

Conversion: 5500K to 3200K

Mired Shift: +131

Amber for major adjustment.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85B Graduated

85B Graduated

Exposure:

Conversion: 5500K to 3400K

Mired Shift: +131

Amber for major adjustment. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm

Combination Standards

85BN3

85BN3

Exposure: 1⅔

Conversion: 5500K to 3200K

Mired Shift: 131

Combines 85B colour temperature adjustment with 0.3 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85BN6

85BN6

Exposure: 2⅔

Conversion: 5500K to 3200K

Mired Shift: 131

Combines 85B colour temperature adjustment with 0.6 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85BN9

85BN9

Exposure: 3⅔

Conversion: 5500K to 3200K

Mired Shift: 131

Combines 85B colour temperature adjustment with 0.9 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85N3

85N3

Exposure: 1⅔

Conversion: 5500K to 3400K

Mired Shift: +112

Combines 85 colour temperature adjustment with 0.3 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85N6

85N6

Exposure: 2⅔

Conversion: 5500K to 3400K

Mired Shift: +112

Combines 85 colour temperature adjustment with 0.6 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
85N9

85N9

Exposure: 3⅔

Conversion: 5500K to 3400K

Mired Shift: +112

Combines 85 colour temperature adjustment with 0.9 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81EFN3

81EFN3

Exposure: 1⅔

Conversion: 3850K to 3200K

Mired Shift: +53

Combines 81EF colour temperature adjustment with 0.3 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81EFN6

81EFN6

Exposure: 2⅔

Conversion: 3850K to 3200K

Mired Shift: +53

Combines 81EF colour temperature adjustment with 0.6 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
81EFN9

81EFN9

Exposure: 3⅔

Conversion: 3850K to 3200K

Mired Shift: +53

Combines 81EF colour temperature adjustment with 0.9 Neutral Density.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm

Fluorescent Correction

FL3600-D Standard

FL3600-D Standard

Exposure: 1⅔

Balances 3600K warm white tubes for 5500K Daylight Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
FL4300-D Standard

FL4300-D Standard

Exposure: 1

Balances 4300K white tubes for 5500K Daylight Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
FL5700-D Standard

FL5700-D Standard

Exposure:

Balances 5700K cool white tubes for 5500K Daylight Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
FL3600-B Standard

FL3600-B Standard

Exposure:

Balances 3600K warm white tubes for 3200K Tungsten Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
FL4300-B Standard

FL4300-B Standard

Exposure: 1

Balances 4300K white tubes for 3200K Tungsten Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
FL5700-B Standard

FL5700-B Standard

Exposure: 1⅓

Balances 5700K cool white tubes for 3200K Tungsten Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm

Arc Correction

HPS-D Standard

HPS-D Standard

Exposure: 3

Balances high pressure sodium lights for 5500K Daylight Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
MV-D Standard

MV-D Standard

Exposure: 2⅓

Balances mercury vapour lights for 5500K Daylight Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
HPS-B Standard

HPS-B Standard

Exposure: 2

Balances high pressure sodium lights for 3200K Tungsten Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
MV-B Standard

MV-B Standard

Exposure: 2⅓

Balances mercury vapour lights for 3200K Tungsten Film. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm

Ultraviolet Absorbing

UV1A Standard

UV1A Standard

Maximum absorption of 0.076A (84%) at 535 nanometres. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
UV1B Standard

UV1B Standard

Maximum absorption of 0.086A (82%) at 525 nanometres. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
UV2B Standard

UV2B Standard

UV Absorption greater than 0.72A (19%) at 400 nanometres. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
UV2C Standard

UV2C Standard

UV Absorption greater than 0.39A (40.5%) at 400 nanometres. Also available in Polyester.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm

Infrared

Polyester 87 Infrared

Polyester 87 Infrared

This visually opaque filter is used in infrared photography to absorb
unwanted visible light. Transmission begins above 730 nanometres.

  • Polyester
    100x100mm

Colour Compensating

CC/CT Cyan

CC/CT Cyan

Principally absorbs red.

  • Polyester
    100x100mm
CC/CT Yellow

CC/CT Yellow

Principally absorbs blue.

  • Polyester
    100x100mm
CC/CT Magenta

CC/CT Magenta

Principally absorbs green.

  • Polyester
    100x100mm
CC/CT Red

CC/CT Red

Principally absorbs blue and green.

  • Polyester
    100x100mm
CC/CT Green

CC/CT Green

Principally absorbs blue and red.

  • Polyester
    100x100mm
CC/CT Blue

CC/CT Blue

Principally absorbs red and green.

  • Polyester
    100x100mm

Tricolour

Polyester 25 Tricolour Red

Polyester 25 Tricolour Red

Exposure: 2½ – 3

Separation filter. Maximum transmission above 610 nanometres. Also used for b/w contrast effects, haze penetration in aerial photography, and removing blue in infrared photography. Also available in optically correct resin.

  • 100mm System
    100x100mm
  • Polyester
    100x100mm
Polyester 47B Tricolour Blue

Polyester 47B Tricolour Blue

Exposure: 2½ – 3

Separation filter. Maximum transmission at 440 nanometres.

  • Polyester
    100x100mm
Polyester 58 Tricolour Green

Polyester 58 Tricolour Green

Exposure: 2½ – 3

Separation filter. Maximum transmission at 530 nanometres.

  • Polyester
    100x100mm

Net

Black Net 1 with Hole

Black Net 1 with Hole

Exposure: ½

Subtle soft focus effect and increases contrast. The hole gives clear centre if required.

  • 100mm System
    100x150mm
Black Net 1 Standard

Black Net 1 Standard

Exposure: ½

Subtle soft focus effect and increases contrast.

  • 100mm System
    100x100mm
Black Net 2 with Hole

Black Net 2 with Hole

Exposure: 1

Subtle soft focus effect and increases contrast. The hole gives clear centre if required.

  • 100mm System
    100x150mm
Black Net 2 Standard

Black Net 2 Standard

Exposure: 1

Subtle soft focus effect and increases contrast.

  • 100mm System
    100x100mm
White Net with Hole

White Net with Hole

Subtle soft focus effect and decreases contrast. The hole gives clear centre if required.

  • 100mm System
    100x150mm
White Net Standard

White Net Standard

Subtle soft focus effect and decreases contrast.

  • 100mm System
    100x100mm

Fog and Mist

Fog 1 Standard

Fog 1 Standard

An opaque “fog” effect (as opposed to soft focus).

  • 100mm System
    100x100mm
Fog 2 Standard

Fog 2 Standard

An opaque “fog” effect (as opposed to soft focus).

  • 100mm System
    100x100mm
Fog 3 Standard

Fog 3 Standard

An opaque “fog” effect (as opposed to soft focus).

  • 100mm System
    100x100mm
Fog 4 Standard

Fog 4 Standard

An opaque “fog” effect (as opposed to soft focus).

  • 100mm System
    100x100mm
Fog 5 Standard

Fog 5 Standard

An opaque “fog” effect (as opposed to soft focus).

  • 100mm System
    100x100mm
Mist Graduated

Mist Graduated

Gives a mist effect to selected areas of the image.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Mist Clear Spot

Mist Clear Spot

Gives a mist effect to selected areas of the image. The clear spot takes the viewer’s eye to the most important part of the frame.

  • 100mm System
    100x150mm
Mist Stripe

Mist Stripe

Gives a mist effect to selected areas of the image. When used in the foreground it gives a sense of the depth of fog.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Low Contrast

Low Contrast ¼

Low Contrast ¼

A slight white opacity, lowers contrast by lightening dark areas.

  • 100mm System
    100x100mm
Low Contrast ½

Low Contrast ½

A slight white opacity, lowers contrast by lightening dark areas.

  • 100mm System
    100x100mm
Low Contrast ¾

Low Contrast ¾

A slight white opacity, lowers contrast by lightening dark areas.

  • 100mm System
    100x100mm
Low Contrast 1

Low Contrast 1

A slight white opacity, lowers contrast by lightening dark areas.

  • 100mm System
    100x100mm
Low Contrast 1½

Low Contrast 1½

A slight white opacity, lowers contrast by lightening dark areas.

  • 100mm System
    100x100mm

Star

Star Spot (4 Point)

Star Spot (4 Point)

Introduces a subtle star effect into the highlight areas of the photograph. Features a circular cluster of the markings.

  • 100mm System
    100x150mm
Star Standard (4 Point)

Star Standard (4 Point)

Introduces a subtle star effect into the highlight areas of the photograph.

  • 100mm System
    100x100mm
Star Graduated (6 Point)

Star Graduated (6 Point)

Introduces a subtle star effect into the highlight areas of the photograph. Highlights in one portion of image which gradually fades to grey.

  • 100mm System
    100x150mm
Star Standard (6 Point)

Star Standard (6 Point)

Introduces a subtle star effect into the highlight areas of the photograph.

  • 100mm System
    100x100mm
Star Segment (8 Point)

Star Segment (8 Point)

Introduces a subtle star effect into the highlight areas of the photograph. Creates stars in a chosen segment of the frame.

  • 100mm System
    100x150mm
Star Standard (8 Point)

Star Standard (8 Point)

Introduces a subtle star effect into the highlight areas of the photograph.

  • 100mm System
    100x100mm

Selective Star Set

Star Spot (4 Point)

Star Spot (4 Point)

Introduces a subtle star effect into the highlight areas of the photograph. Features a circular cluster of the markings.

  • 100mm System
    100x150mm
Star Graduated (6 Point)

Star Graduated (6 Point)

Introduces a subtle star effect into the highlight areas of the photograph. Highlights in one portion of image which gradually fades to grey.

  • 100mm System
    100x150mm
Star Segment (8 Point)

Star Segment (8 Point)

Introduces a subtle star effect into the highlight areas of the photograph. Creates stars in a chosen segment of the frame.

  • 100mm System
    100x150mm

Mist Set

Mist Graduated

Mist Graduated

Gives a mist effect to selected areas of the image.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Mist Clear Spot

Mist Clear Spot

Gives a mist effect to selected areas of the image. The clear spot takes the viewer’s eye to the most important part of the frame.

  • 100mm System
    100x150mm
Mist Stripe

Mist Stripe

Gives a mist effect to selected areas of the image. When used in the foreground it gives a sense of the depth of fog.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

Net Set

Black Net 1 with Hole

Black Net 1 with Hole

Exposure: ½

Subtle soft focus effect and increases contrast. The hole gives clear centre if required.

  • 100mm System
    100x150mm
Black Net 2 with Hole

Black Net 2 with Hole

Exposure: 1

Subtle soft focus effect and increases contrast. The hole gives clear centre if required.

  • 100mm System
    100x150mm
White Net with Hole

White Net with Hole

Subtle soft focus effect and decreases contrast. The hole gives clear centre if required.

  • 100mm System
    100x150mm

100mm Digital SLR Starter Kit

0.6 Neutral Density Hard Grad

0.6 Neutral Density Hard Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.6 ProGlass ND Standard

0.6 ProGlass ND Standard

A glass filter that reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
Filter Holder

Filter Holder

Comes pre-assembled and ready to go. Takes standard 100mm filters. It clips onto the adaptor ring which, in turn, screws onto your camera’s lens.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm
ClearLEE Filter Cloth

ClearLEE Filter Cloth

A microfibre filter cleaning cloth designed to be used with the ClearLEE Filter Wash. Together they’ll keep your filters clean of fingerprints, marks and salt spray.

Tri-Pouch

Tri-Pouch

Holds three filters – allowing photographers to pack their preferred resin set when heading out on location. The pockets are wide enough to carry holders and adaptor rings. The pouch features belt loops on the back.

100mm Deluxe Kit

0.9 Neutral Density Hard Grad

0.9 Neutral Density Hard Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
The Big Stopper

The Big Stopper

A glass filter that reduces exposure by approximately 10 stops.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Filter Holder

Filter Holder

Comes pre-assembled and ready to go. Takes standard 100mm filters. It clips onto the adaptor ring which, in turn, screws onto your camera’s lens.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm
105mm Accessory Ring

105mm Accessory Ring

Screws permanently into the front of a standard filter holder enabling a 105mm Rotating Polariser to be fitted (not included). Allows the polariser to be rotated independently of any other filters.

Landscape Polariser

Landscape Polariser

This slimmer Polariser will go down to 16/17mm without vignetting when used with a two slotted filter holder on a full frame 35mm sensor. Also features slightly warm bias. This is a 105mm rotating polariser, circular effect. Reduces exposure up to 1⅔ stops.

  • Rotating Polariser
    105mm
0.6 Neutral Density Medium Grad

0.6 Neutral Density Medium Grad

Reduces exposure by 2 stops without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
1.2 Neutral Density Medium Grad

1.2 Neutral Density Medium Grad

Reduces exposure by 4 stops without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm

100mm Starter Kit

0.6 Neutral Density Hard Grad

0.6 Neutral Density Hard Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Filter Holder

Filter Holder

Comes pre-assembled and ready to go. Takes standard 100mm filters. It clips onto the adaptor ring which, in turn, screws onto your camera’s lens.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm
ClearLEE Filter Cloth

ClearLEE Filter Cloth

A microfibre filter cleaning cloth designed to be used with the ClearLEE Filter Wash. Together they’ll keep your filters clean of fingerprints, marks and salt spray.

Coral 3 Graduated Hard

Coral 3 Graduated Hard

Pinkish warm-up filter. Has enough tone to be used as both a grad or an all-over filter.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tri-Pouch

Tri-Pouch

Holds three filters – allowing photographers to pack their preferred resin set when heading out on location. The pockets are wide enough to carry holders and adaptor rings. The pouch features belt loops on the back.

Foundation Kit

Foundation Kit

Foundation Kit

Takes standard 100mm filters, and can be constructed to take up to four filters at any one time. It clips onto the adaptor ring which, in turn, screws onto your camera’s lens.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm

Professional Kit

Professional Kit

Professional Kit

Features two filter holders and a tandem adaptor to join them together. This allows independent rotation of grads, as well as the option to use more than four filters if desired.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm
Tandem Adaptor

Tandem Adaptor

An adaptor which joins two filter holders together allowing independent rotation of each holder.

Upgrade Kit

Upgrade Kit

Upgrade Kit

The Upgrade Kit contains a filter holder and a tandem adaptor and converts your foundation holder into a professional kit.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm

Push-On Filter Holder

Push-On Filter Holder

Push-On Filter Holder

Specifically designed to fit directly to certain large format wideangle lenses with an outside diameter of 100mm (filter thread often 95mm). It takes the standard 100mm filters.

  • 100mm System
    100x100mm
  • 100mm System
    100x150mm
  • 100mm System
    100x150mm

Standard Rings

49mm Adaptor Ring

49mm Adaptor Ring

For lenses with a 49mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

52mm Adaptor Ring

52mm Adaptor Ring

For lenses with a 52mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

55mm Adaptor Ring

55mm Adaptor Ring

For lenses with a 55mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

58mm Adaptor Ring

58mm Adaptor Ring

For lenses with a 58mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

62mm Adaptor Ring

62mm Adaptor Ring

For lenses with a 62mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

67mm Adaptor Ring

67mm Adaptor Ring

For lenses with a 67mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

72mm Adaptor Ring

72mm Adaptor Ring

For lenses with a 72mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

77mm Adaptor Ring

77mm Adaptor Ring

For lenses with a 77mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

82mm Adaptor Ring

82mm Adaptor Ring

For lenses with a 82mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

86mm Adaptor Ring

86mm Adaptor Ring

For lenses with a 86mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

93mm Adaptor Ring

93mm Adaptor Ring

For lenses with a 93mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

95mm Adaptor Ring

95mm Adaptor Ring

For lenses with a 95mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

105mm Adaptor Ring

105mm Adaptor Ring

For lenses with a 105mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

Wideangle Rings

49mm Adaptor Ring

49mm Adaptor Ring

For lenses with a 49mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

52mm Adaptor Ring

52mm Adaptor Ring

For lenses with a 52mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

55mm Adaptor Ring

55mm Adaptor Ring

For lenses with a 55mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

58mm Adaptor Ring

58mm Adaptor Ring

For lenses with a 58mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

62mm Adaptor Ring

62mm Adaptor Ring

For lenses with a 62mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

67mm Adaptor Ring

67mm Adaptor Ring

For lenses with a 67mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

72mm Adaptor Ring

72mm Adaptor Ring

For lenses with a 72mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

77mm Adaptor Ring

77mm Adaptor Ring

For lenses with a 77mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

82mm Adaptor Ring

82mm Adaptor Ring

For lenses with a 82mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

43mm Adaptor Ring

43mm Adaptor Ring

For lenses with a 43mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

46mm Adaptor Ring

46mm Adaptor Ring

For lenses with a 46mm thread. Screws onto the lens with a fluid action thanks to the sturdy construction and aluminium screw thread.

Custom Adaptor Rings

Custom Adaptor Rings

Custom Adaptor Rings

Non-stock size Adadptor Rings can be made to order. This opens up the possibility of using filters on lenses that would otherwise be incompatible with standard ring sizes.

Adaptor Ring for Canon 17mm TS-E lens

Adaptor Ring for Canon 17mm TS-E lens

This special adaptor ring allows more than half the movement that is normally possible with this lens before vignetting. Enables use of smaller 100mm system including the Big Stopper.

100mm Adaptor Ring for Olympus 7-14mm Pro f2.8 lens

100mm Adaptor Ring for Olympus 7-14mm Pro f2.8 lens

Consists of a front ring, a compressor ring and a locking ring specifically designed for the Olympus 7-14mm Pro f2.8 lens. (An adaptor is also available for the SW150 System).
Due to the extremely wide angle view of this lens, the LEE 100mm filter holder will vignette at the widest angles. To avoid this use a minimum focal length of 10mm.

100mm Adaptor Ring for Nikon 19mm PCE lens

100mm Adaptor Ring for Nikon 19mm PCE lens

Consists of a front ring, a compressor ring and a locking ring specifically designed for the Nikon PC NIKKOR 19mm f/4E ED Tilt-Shift lens. (An adaptor is also available for the SW150 System).
The 100mm adaptor ring does not allow full lens movement without vignetting.

100mm Adaptor Ring for Fujifilm GF23mm lens

100mm Adaptor Ring for Fujifilm GF23mm lens

This adaptor ring has been specifically designed for the Fujifilm GF23mm lens.

Rollei, Hasselblad & Leica

Rollei VI Ring

Rollei VI Ring

Special adaptor ring for the Rollei VI.

50mm Hasselblad Ring

50mm Hasselblad Ring

Special adaptor ring for 50mm Hasselblad lenses. Features bayonet fitting.

60mm Hasselblad Ring

60mm Hasselblad Ring

Special adaptor ring for 60mm Hasselblad lenses. Features bayonet fitting.

70mm Hasselblad Ring

70mm Hasselblad Ring

Special adaptor ring for 70mm Hasselblad lenses. Features bayonet fitting.

Leica E60 Ring

Leica E60 Ring

Special adaptor ring for 60mm Leica lenses.

105mm Polariser Ring

105mm Accessory Ring

105mm Accessory Ring

Screws permanently into the front of a standard filter holder enabling a 105mm Rotating Polariser to be fitted (not included). Allows the polariser to be rotated independently of any other filters.

Universal Hood

Universal Hood

Universal Hood

Comes assembled with two filter slots, but can also be configured to take
different filter combinations. It is ideal for shading wideangle lenses on DSLR, 35mm SLR and medium format cameras.

Wideangled Hood

Wideangled Hood

Wideangled Hood

Comes assembled with two filter slots, but can also be configured to take different filter combinations as well as a 105mm rotating polariser. It is ideal for shading wideangle lenses on large format cameras.

Gelsnap Filter Holder

Gelsnap Filter Holder

Gelsnap Filter Holder

Simply slot any 100mm polyester filter into the Gelsnap, close it, and it is ready to be attached to the lens using the band provided.

Filter Mounts

Filter Mounts

Filter Mounts

Filter mounts that allow 84mm filters, both square and oblong, to be used with the LEE Filter System.

Mounts for Polyester Filters

75mm Mounts for Polyester Filters

75mm Mounts for Polyester Filters

Cardboard mounts for 75x75mm polyester filters.

100mm Mounts for Polyester Filters

100mm Mounts for Polyester Filters

Plastic mounts for 100x100mm polyester filters.

Filter Cleaning Solution

Filter Cleaning Solution

Filter Cleaning Solution

A filter cleaning solution for use on resin and glass filters.

ClearLEE Filter Wash

ClearLEE Filter Cloth

ClearLEE Filter Cloth

A microfibre filter cleaning cloth designed to be used with the ClearLEE Filter Wash. Together they’ll keep your filters clean of fingerprints, marks and salt spray.

ClearLEE Filter Wash - 300ml

ClearLEE Filter Wash - 300ml

Specially formulated filter wash that’s safe to use on every filter in the LEE range. 300ml aluminium can with a spray top that’s ideal for use at home or in the studio.

ClearLEE Filter Wash - 50ml

ClearLEE Filter Wash - 50ml

Specially formulated filter wash that’s safe to use on every filter in the LEE range. 50ml aluminium can with a spray top that’s ideal for popping in your camera bag when heading out on a shoot.

ClearLEE Filter Cleaning Kit

ClearLEE Filter Cleaning Kit

Everything needed to ensure your filters stay optically perfect and free of marks and scratches. Includes 50ml of the ClearLEE Filter Wash and a high quality microfibre cloth.

Tandem Adaptor

Tandem Adaptor

Tandem Adaptor

An adaptor which joins two filter holders together allowing independent rotation of each holder.

Screws

Screws

Screws

Screws of varying lengths for the filter holder.

Lens Caps

100mm Lens Cap

100mm Lens Cap

The lens cap allows you to leave the adaptor ring attached at all times while keeping the front element clean and safe. These caps are made of white polypropylene and, when attached, can be used to white balance a digital SLR, or as a makeshift incident light-meter on any camera.

Seven5 Lens Cap

Seven5 Lens Cap

Allows you to leave the adaptor ring attached to the lens at all times while keeping the front element of the lens clean and safe. The polypropylene caps come in a pack of three colours so you can easily identify lenses.

Filter Wrap

Filter Wrap

Filter Wrap

The Filter Wrap is a simple, yet ingenious design. Made from a soft cloth, it holds up to three filters and can be folded and stored, using only minimal space.

Tri-Pouch

Tri-Pouch

Tri-Pouch

Holds three filters – allowing photographers to pack their preferred resin set when heading out on location. The pockets are wide enough to carry holders and adaptor rings. The pouch features belt loops on the back.

Multi-Filter Pouch

Multi-Filter Pouch

Multi-Filter Pouch

For simple storage of filters, not to mention quick and easy access when on a shoot, the Multi-filter Pouch holds up to 10 filters.

Rangefinder Blades

Rangefinder Face Blades

Rangefinder Face Blades

These calibrated metal face blades simply replace the existing front blades on the Standard LEE Filter holder.

Pro Pack

Pro Pack

Pro Pack

The LEE Filters Pro-Pack kit contains 23 specially selected different sheets of filter material, and represents a versatile package for the studio. Available in 610mm x 530mm sheets.

Reflector Pack

Reflector Pack

Reflector Pack

Containing reflectors in mirror gold, mirror silver, soft gold and soft silver, the sheets are all manufactured from high quality, lightweight and flexible material. Available in 610mm x 530mm sheets.

Colour Magic Packs

Colour Magic Packs

Colour Magic Packs

Each pack contains 12 filters related to a particular aspect of lighting and studio work. Offers a way to try the filters in a cost effective way.

Colour Printing Filters

Colour Printing Filters

Colour Printing Filters

Used between the light source and the negative or transparency. Available in the same colour and density ranges as the colour compensating filters.

Inspiring Professionals

Inspiring Professionals

Inspiring Professionals

The landscape photographers’ guide to using filters. A 132 page hardback book which is full of stunning images taken from around the world that will both inform and inspire you.

David Noton: Chasing the Light

David Noton: Chasing the Light

David Noton: Chasing the Light

Examines the elements of a photographer’s vision, the challenges of working with natural light, and how to get the best from the equipment.

Joe Cornish: Landscape in Mind

Joe Cornish: Landscape in Mind

Joe Cornish: Landscape in Mind

The film is a perfect combination of technical instruction and inspiration making it a must-have for all photographers, be they advanced or amateur.

Jeremy Walker: Landscape Workshops

Jeremy Walker: Landscape Workshops

Jeremy Walker: Landscape Workshops

LEE Filters have teamed up with leading landscape photographer Jeremy Walker for a series of weekend and one day photographic workshops around the U.K.

Seven5 Adaptor Ring for Fuji X100/X100s

Seven5 Adaptor Ring for Fuji X100/X100s

This ring screws directly to the outer thread of the lens on the Fuji X100, giving users the opportunity to fit the LEE Seven5 Filter System to their cameras.

0.3 Neutral Density Hard Grad

0.3 Neutral Density Hard Grad

Reduces exposure by 1 stop without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.45 Neutral Density Hard Grad

0.45 Neutral Density Hard Grad

Reduces exposure by 1½ stops without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.6 Neutral Density Hard Grad

0.6 Neutral Density Hard Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.75 Neutral Density Hard Grad

0.75 Neutral Density Hard Grad

Reduces exposure by 2½ stops without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.9 Neutral Density Hard Grad

0.9 Neutral Density Hard Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.3 Neutral Density Soft Grad

0.3 Neutral Density Soft Grad

Reduces exposure by 1 stop without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.45 Neutral Density Soft Grad

0.45 Neutral Density Soft Grad

Reduces exposure by 1½ stops without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.6 Neutral Density Soft Grad

0.6 Neutral Density Soft Grad

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.75 Neutral Density Soft Grad

0.75 Neutral Density Soft Grad

Reduces exposure by 2½ stops without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.9 Neutral Density Soft Grad

0.9 Neutral Density Soft Grad

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
0.3 Neutral Density Standard

0.3 Neutral Density Standard

Reduces exposure by 1 stop without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.45 Neutral Density Standard

0.45 Neutral Density Standard

Reduces exposure by 1½ stops without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.6 Neutral Density Standard

0.6 Neutral Density Standard

Reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.75 Neutral Density Standard

0.75 Neutral Density Standard

Reduces exposure by 2½ stops without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.9 Neutral Density Standard

0.9 Neutral Density Standard

Reduces exposure by 3 stops  without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
0.6 ProGlass ND Standard

0.6 ProGlass ND Standard

A glass filter that reduces exposure by 2 stops  without affecting colour balance.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
The Big Stopper

The Big Stopper

A glass filter that reduces exposure by approximately 10 stops.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Combination: 0.6 ND to 81A

Combination: 0.6 ND to 81A

One end has neutral density, the other has a warm-up colour. Available with a hard gradation. These are custom made so any combination is possible. Reduces exposure by up to 2 stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.6 ND to 81B

Combination: 0.6 ND to 81B

One end has neutral density, the other has a warm-up colour. Available with a hard gradation. These are custom made so any combination is possible. Reduces exposure by up to 2 stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.6 ND to Coral 2

Combination: 0.6 ND to Coral 2

One end has neutral density, the other has a warm-up colour. Available with a hard gradation. These are custom made so any combination is possible. Reduces exposure by up to 2 stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.75 ND to Coral 2

Combination: 0.75 ND to Coral 2

One end has neutral density, the other has a warm-up colour. Available with a hard gradation. These are custom made so any combination is possible. Reduces exposure by up to 2½ stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.9 ND to Straw 2

Combination: 0.9 ND to Straw 2

One end has neutral density, the other has a warm-up colour. Available with a hard gradation. These are custom made so any combination is possible. Reduces exposure by up to 3 stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.6 ND with 81B

Combination: 0.6 ND with 81B

Features warm-up over the entire filter, with the ND overdyed at one end. Available with a hard or soft gradation. These are custom made so any combination is possible. Reduces exposure by up to 2⅓ stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.6 ND with 85C

Combination: 0.6 ND with 85C

Features warm-up over the entire filter, with the ND overdyed at one end. Available with a hard or soft gradation. These are custom made so any combination is possible.  Reduces exposure by up to 2⅔ stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.75 ND with 81A

Combination: 0.75 ND with 81A

Features warm-up over the entire filter, with the ND overdyed at one end. Available with a hard or soft gradation. These are custom made so any combination is possible. Reduces exposure by up to 3 stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Combination: 0.9 ND with 81A

Combination: 0.9 ND with 81A

Features warm-up over the entire filter, with the ND overdyed at one end. Available with a hard or soft gradation. These are custom made so any combination is possible. Reduces exposure by up to 3⅓ stops.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
105mm Rotating Polariser: Circular Effect

105mm Rotating Polariser: Circular Effect

Ideal polariser for autofocus SLR cameras. Attaches to the filter system via a 105mm Accessory Ring which fits to the front of the filter holder, allowing the polariser to rotate independently. Reduces exposure up to 1⅔ stops.

  • Rotating Polariser
    105mm
100mm Square Polariser: Circular Effect

100mm Square Polariser: Circular Effect

Ideal polariser for autofocus SLR cameras. Slots into the Filter Holder which is then rotated. Recommended for studio use or when no graduated filters are required. Reduces exposure up to 1⅔ stops.

  • Square Polariser
    100x100mm
105mm Rotating Polariser: Linear Effect

105mm Rotating Polariser: Linear Effect

Ideal polariser for manual focus cameras. Attaches to the filter system via a 105mm Accessory Ring which fits to the front of the filter holder, allowing the polariser to rotate independently.  Reduces exposure up to 1⅔ stops.

  • Rotating Polariser
    105mm
100mm Square Polariser: Linear Effect

100mm Square Polariser: Linear Effect

Ideal polariser for manual focus cameras. Slots into the Filter Holder which is then rotated. Recommended for studio use or when no graduated filters are required.  Reduces exposure up to 1⅔ stops.

  • Square Polariser
    100x100mm
3 Light Yellow Standard

3 Light Yellow Standard

Partially corrects for excess blue in aerial photography.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
8 Yellow Standard

8 Yellow Standard

Darkens sky, cloud and foliage to reproduce correct tones.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
11 Yellowish Green Standard

11 Yellowish Green Standard

Alters the response of panchromatic emulsions to be equivalent to the eye responding to objects under tungsten illumination.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
12 Deep Yellow Standard

12 Deep Yellow Standard

Minus blue filter. Can be used to cancel blue light when infrared-sensitive films are exposed. Also penetration of haze during aerial photography.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
15 Deep Yellow Standard

15 Deep Yellow Standard

Increases contrast between cloud and sky greater than No. 8, for over-correction effect. Also used for copying documents on yellowed paper.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
16 Yellow Orange Standard

16 Yellow Orange Standard

Gives even greater over-correction than No. 15. Absorbs a small amount of green.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
21 Orange Standard

21 Orange Standard

Contrast filter. Absorbs blue and blue/green.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
23A Light Red Standard

23A Light Red Standard

Greater contrast effect than No. 21 Orange.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Coral 1 Graduated

Coral 1 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 1 Standard

Coral 1 Standard

Pinkish warm-up, redder than the 81 series.

Coral 2 Graduated

Coral 2 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 2 Standard

Coral 2 Standard

Pinkish warm-up, redder than the 81 series.

Coral 3 Graduated

Coral 3 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 3 Standard

Coral 3 Standard

Pinkish warm-up, redder than the 81 series.

Coral 4 Graduated

Coral 4 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 4 Standard

Coral 4 Standard

Pinkish warm-up, redder than the 81 series.

Coral 5 Graduated

Coral 5 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 5 Standard

Coral 5 Standard

Pinkish warm-up, redder than the 81 series.

Coral 6 Graduated

Coral 6 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 6 Standard

Coral 6 Standard

Pinkish warm-up, redder than the 81 series.

Coral 7 Graduated

Coral 7 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 7 Standard

Coral 7 Standard

Pinkish warm-up, redder than the 81 series.

Coral 8 Graduated

Coral 8 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 8 Standard

Coral 8 Standard

Pinkish warm-up, redder than the 81 series.

Coral 9 Graduated

Coral 9 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 9 Standard

Coral 9 Standard

Pinkish warm-up, redder than the 81 series.

Coral 10 Graduated

Coral 10 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 10 Standard

Coral 10 Standard

Pinkish warm-up, redder than the 81 series.

Coral 11 Graduated

Coral 11 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 11 Standard

Coral 11 Standard

Pinkish warm-up, redder than the 81 series.

Coral 12 Graduated

Coral 12 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 12 Standard

Coral 12 Standard

Pinkish warm-up, redder than the 81 series.

Coral 13 Graduated

Coral 13 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 13 Standard

Coral 13 Standard

Pinkish warm-up, redder than the 81 series.

Coral 14 Graduated

Coral 14 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Coral 14 Standard

Coral 14 Standard

Pinkish warm-up, redder than the 81 series.

Coral Stripe Pale

Coral Stripe Pale

Paler and thinner than the Coral Stripe for a more subtle effect.

Coral Stripe

Coral Stripe

Pinkish warm-up, redder than the 81 series.

Straw 1 Graduated

Straw 1 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 1 Standard

Straw 1 Standard

A greater yellow warm-up for landscapes.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Straw 2 Graduated

Straw 2 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 2 Standard

Straw 2 Standard

A greater yellow warm-up for landscapes.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Straw 3 Graduated

Straw 3 Graduated

A greater yellow warm-up for landscapes. Accentuates foregrounds when inverted. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Straw 3 Standard

Straw 3 Standard

A greater yellow warm-up for landscapes.

  • 100mm System
    100x100mm
  • Seven5
    75x90mm
  • SW-150
    150x150mm
Straw Stripe

Straw Stripe

A greater yellow warm-up for landscapes.

  • 100mm System
    100x150mm
Real Blue 2 Graduated

Real Blue 2 Graduated

Darker and blacker than Sky Blue, gives a deeper effect to skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 2 Graduated

Sepia 2 Graduated

Gives a brown tinted monochrome look, less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Autumn: Chocolate 2 Graduated

Autumn: Chocolate 2 Graduated

Accentuates autumn leaves, stone etc. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Autumn: Tobacco 2 Graduated

Autumn: Tobacco 2 Graduated

Darker and redder than Chocolate or Sepia, a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Autumn: Coral 6 Graduated

Autumn: Coral 6 Graduated

Pinkish warm-up, redder than the 81 series. Available with Hard (pictured) or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Pop Red

Pop Red

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Sunsets 1

Sunsets 1

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunsets 2

Sunsets 2

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunsets 3

Sunsets 3

For a sunset effect when shooting into a low sun.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunset Yellow

Sunset Yellow

The yellow portion of the sunset grad.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sunset Orange

Sunset Orange

The orange portion of the sunset grad.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Chocolate 1

Chocolate 1

Accentuates brown tones, such as autumn leaves and stone. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Chocolate 2

Chocolate 2

Accentuates brown tones, such as autumn leaves and stone. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tobacco 1

Tobacco 1

Darker and more red than Chocolate and Sepia filters, with a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tobacco 2

Tobacco 2

Darker and more red than Chocolate and Sepia filters, with a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Tobacco 3

Tobacco 3

Darker and more red than Chocolate and Sepia filters, with a very strong effect. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 1

Sepia 1

For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 2

Sepia 2

For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Sepia 3

Sepia 3

For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Green 1

Green 1

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pop Green

Pop Green

For colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Pop Blue

Pop Blue

A deep red-blue, mainly for colour effects. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
Real Blue 1

Real Blue 1

Darker and more black than Sky Blue, for a stronger impact on skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm
Real Blue 2

Real Blue 2

Darker and more black than Sky Blue, for a stronger impact on skies. Available with Hard or Soft gradation.

  • 100mm System
    100x150mm
  • Seven5
    75x90mm
  • SW-150
    150x170mm